Alice Hutchnson

Untitled, Alice Hutchison, 2025a

Untitled, Alice Hutchison, 2025b

Melbourne based photographer recognised for her dynamic and curious approach to still life photography, particularly in the realms of product. She has worked with several major clients including July Suitcases and Koko Black chocolate. (Hutchison 2023)

Born in one of Melbourne’s most diverse European migrant neighbourhoods, Hutchinson was inspired early on by the unique cultural environment surrounding her. With two art-loving parents her childhood was deeply influenced by art and this is reflected in her unique style.

Morning Vibes, Move Active, Alice Hutchison, 2026

Untitled, Alice Hutchison, 2025c

Hutchinson’s practice often examines ‘the unspoken dimensions of personal identity within contemporary consumer culture (Hutchinson 2018) ’ through the use of atypical processes and work that challenges the biases of different mediums.

I am most inspired by the way in which she incorporates food into her product shots creating an effective interplay of textures and colour. This is something I would like to explore further in my own work. She allows vibrant pops of colour found on fruit and veg to contrast juxtaposing slick and modern black and white bags and shoes creating eye catching and visually interesting imagery.

I am also inspired by the way she combines unexpected objects together for visually striking pairings. This slightly more conceptual and unconventional approach is far more visually compelling to audiences then standard product photography; it has an edge and excitement to it which makes it more appealing.

Hutchinson’s lighting style is quite defined. Many of her still life works have a slick and almost industrial feel to them with contrasting highlights and shadows and defined forms. They feel really controlled. She supports the lighting on her subjects by providing a gradient in the background behind them which frames each composition intentionally, directing the viewers gaze with purpose.

Style Icons, Alice Hutchison, 2025

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